Panel discussion with Dr Alison Smith, Co-Curator of Stanisław Wyspiański: Portraits (National Portrait Gallery), and Co-Curators of Young Poland (William Morris Gallery), Roisin Inglesby and Dr Julia Griffin, moderated by Dr Olga Topol, Curator, Slavonic and East European Collections, British Library.

Around the time of his death, the British press compared Wyspiański to design reformer William Morris. A true polymath, Wyspiański was an artist, designer, interior decorator, craftsman, and national bard who worked across many disciplines. In literature, he wrote and directed plays, designing their sets and costumes. He created stained-glass windows, furniture, textiles, wall paintings, and book layouts. He was also a skilled portraitist and landscape artist, sculptor, architect, and urban planner.

Wyspiański’s wide-ranging knowledge extended to classical studies, art history, botany, and medieval architecture. He also served as a city councillor, reformer, and teacher at the Academy of Fine Arts in Kraków. As a co-founder of the ‘Sztuka’ (Art) Society of Polish Artists and the Polish Applied Arts Society, he played a key role in shaping Polish visual arts during a critical period in the country’s history.

This discussion will explore Wyspiański’s extraordinary life and achievements, while revealing unexpected parallels with William Morris – particularly in their shared ideal of the Book Beautiful and in their belief in the unification of art, craft, and social purpose.

This event coincides with the National Portrait Gallery’s current exhibition Stanisław Wyspiański: Portraits (co-curated by Dr Alison Smith, Director of Collections and Research at the Wallace Collection, and Professor Andrzej Szczerski, Director of the National Museum in Kraków). The display, co-organised by the NPG, the National Museum in Kraków and Polish Cultural Institute, co-finance by the Ministry of Culture and National Heritage, runs until 13 July 2025 in Room 14, Floor 3. Admission is free.